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	<title>The Literature Network</title>
	<atom:link href="http://literaturenetwork.org/?feed=podcast" rel="self" type="application/rss+xml" />
	<link>http://literaturenetwork.org</link>
	<description>Connecting the literature community in the East Midlands, UK</description>
	<lastBuildDate>Wed, 08 Sep 2010 11:35:37 +0000</lastBuildDate>
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	<managingEditor>literature.network@gmail.com (The Literature Network)</managingEditor>
	<webMaster>literature.network@gmail.com (The Literature Network)</webMaster>
	<category>Writing</category>
	<ttl>1440</ttl>
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		<title>The Literature Network</title>
		<link>http://literaturenetwork.org</link>
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	<itunes:subtitle>Podcasts from the Writing Industries Conference 2010</itunes:subtitle>
	<itunes:summary>Live recordings from the Writing Industries Conference 2010. Featuring leading editors, agents and published authors in conversation on the latest developments in the writing industries.</itunes:summary>
	<itunes:keywords>writing, book, reading, poetry, screenplay, playwright, spoken word, science fiction</itunes:keywords>
	<itunes:category text="Arts">
		<itunes:category text="Literature" />
	</itunes:category>
	<itunes:category text="Education" />
	<itunes:category text="Society &#38; Culture" />
	<itunes:author>The Literature Network</itunes:author>
	<itunes:owner>
		<itunes:name>The Literature Network</itunes:name>
		<itunes:email>literature.network@gmail.com</itunes:email>
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	<itunes:block>no</itunes:block>
	<itunes:explicit>no</itunes:explicit>
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		<item>
		<title>How do writers become teachers?</title>
		<link>http://literaturenetwork.org/2010/08/how-do-writers-become-teachers/</link>
		<comments>http://literaturenetwork.org/2010/08/how-do-writers-become-teachers/#comments</comments>
		<pubDate>Thu, 12 Aug 2010 12:01:36 +0000</pubDate>
		<dc:creator>Damien G. Walter</dc:creator>
				<category><![CDATA[News and Features]]></category>
		<category><![CDATA[Podcasts]]></category>

		<guid isPermaLink="false">http://literaturenetwork.org/?p=3753</guid>
		<description><![CDATA[
Creative Writing has become one of the most popular courses of study at all levels of education, and many people discover themselves as writers with the guidance of experienced teachers and workshop leaders. For emerging and established professional writers, teaching can be an important part of their career both creatively and financially. But how does [...]]]></description>
			<content:encoded><![CDATA[
<p>Creative Writing has become one of the most popular courses of study at all levels of education, and many people discover themselves as writers with the guidance of experienced teachers and workshop leaders. For emerging and established professional writers, teaching can be an important part of their career both creatively and financially. But how does teaching support a writer creatively, and how do writers go from studying to teaching creative writing?</p>
<p></p>
<p>David Belbin is the author of more than thirty novels, most of them for young adults. His work has been translated into twenty- five languages. Since 2004, he has run Nottingham Trent University’s MA in Creative Writing, one of the UK’s oldest such courses.</p>
<p>Kerry Featherstone studied English and European Literature at Essex University, and then completed a PhD on Bruce Chatwin at Nottingham Trent. His book on Chatwin will be out later this year. He is now Lecturer in Creative Writing at Loughborough University where he runs the MA in Creative Writing.</p>
<p>Paul Munden is Director of the National Association of Writers in Education. As a poet, he is an Eric Gregory Award winner whose work appears in many anthologies. He has worked in schools, universities and as ‘conference poet’ covering a variety of subjects for the British Council.</p>
<p>Val Moore began teaching creative writing about 20 years ago. She has taught in and led Writing School Leicester for about 14 years, initially as part of Leicester Adult Education College and since 2006 as an independent not-for- profit company. Val served on the management committee of the National Association of Writers in Education from 2004-2006.</p>
THIS CONTENT ORIGINALLY PUBLISHED ON THE LITERATURE NETWORK. http://literaturenetwork.org (Digital Fingerprint:<br /> 663geteyhevfw5673gferw56e3feg (38.107.191.99) )</small>
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		<itunes:duration>00:01:01</itunes:duration>
		<itunes:subtitle>Creative Writing has become one of the most popular courses of study at all levels of education, and many people discover themselves as writers with ...</itunes:subtitle>
		<itunes:summary>Creative Writing has become one of the most popular courses of study at all levels of education, and many people discover themselves as writers with the guidance of experienced teachers and workshop leaders. For emerging and established professional writers, teaching can be an important part of their career both creatively and financially. But how does teaching support a writer creatively, and how do writers go from studying to teaching creative writing?



David Belbin is the author of more than thirty novels, most of them for young adults. His work has been translated into twenty- five languages. Since 2004, he has run Nottingham Trent University’s MA in Creative Writing, one of the UK’s oldest such courses.

Kerry Featherstone studied English and European Literature at Essex University, and then completed a PhD on Bruce Chatwin at Nottingham Trent. His book on Chatwin will be out later this year. He is now Lecturer in Creative Writing at Loughborough University where he runs the MA in Creative Writing.

Paul Munden is Director of the National Association of Writers in Education. As a poet, he is an Eric Gregory Award winner whose work appears in many anthologies. He has worked in schools, universities and as ‘conference poet’ covering a variety of subjects for the British Council.

Val Moore began teaching creative writing about 20 years ago. She has taught in and led Writing School Leicester for about 14 years, initially as part of Leicester Adult Education College and since 2006 as an independent not-for- profit company. Val served on the management committee of the National Association of Writers in Education from 2004-2006.
</itunes:summary>
		<itunes:keywords>News and Features, Podcasts</itunes:keywords>
		<itunes:author>The Literature Network</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>Everything You Ever Wanted to Ask an Agent</title>
		<link>http://literaturenetwork.org/2010/07/everything-you-ever-wanted-to-ask-an-agent/</link>
		<comments>http://literaturenetwork.org/2010/07/everything-you-ever-wanted-to-ask-an-agent/#comments</comments>
		<pubDate>Tue, 20 Jul 2010 10:39:11 +0000</pubDate>
		<dc:creator>Damien G. Walter</dc:creator>
				<category><![CDATA[News and Features]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Bernie Corbett]]></category>
		<category><![CDATA[James Wills]]></category>
		<category><![CDATA[John Berlyne]]></category>
		<category><![CDATA[Oliver Munson]]></category>
		<category><![CDATA[WIC 2010]]></category>

		<guid isPermaLink="false">http://literaturenetwork.org/?p=3705</guid>
		<description><![CDATA[
Agents are the bridge between writers and publishers, and are among the most influential people in the publishing industry. The role of the agent can include much more than simply selling a book, and agents are increasingly responsible for finding and nurturing talented new writers. Choosing the right agent can affect every step of a [...]]]></description>
			<content:encoded><![CDATA[
<p>Agents are the bridge between writers and publishers, and are among the most influential people in the publishing industry. The role of the agent can include much more than simply selling a book, and agents are increasingly responsible for finding and nurturing talented new writers. Choosing the right agent can affect every step of a writer’s career, and understanding how the agent / author relationship works is essential to making that choice.</p>
<p></p>
<p><a href="http://literaturenetwork.org/?feed=podcast">Subscribe to our podcast feed</a></p>
<p><a href="http://itunes.apple.com/podcast/the-writing-industries-conference/id363526921">Subscribe on iTunes</a></p>
<p>John Berlyne is a partner at the Zeno Literary Agency with John Richard Parker. Zeno represents both fiction and non-fiction, with particular expertise in handling genre, their list leans towards science fiction and fantasy, boasting best-sellers, household names and prize winners.</p>
<p>Oliver Munson joined Blake Friedmann in 2003, after completing an English Literature degree from the University of EdinburghandanMAinPublishing Studies from City University. He has a particular interest in popular non-fiction, commercial fiction and sports writing.</p>
<p>James Wills is a Director at Watson, Little Ltd and looks after a dynamic and wide-ranging list of writers. He has an MA in 20th Century Literature from the University of Leeds. He looks for striking, quirky, character-driven commercial and literary fiction that is thrilling, bold and beautifully written.</p>
<p>Bernie Corbett is a British trade unionist and former journalist. In his role as General Secretary of the Writers’ Guild of Great Britain he covers TV, film, radio, new media and print publishing. In his newspaper career Bernie Corbett was chief sub-editor of The Guardian (London) and chief features sub-editor of The Independent (London).</p>
THIS CONTENT ORIGINALLY PUBLISHED ON THE LITERATURE NETWORK. http://literaturenetwork.org (Digital Fingerprint:<br /> 663geteyhevfw5673gferw56e3feg (38.107.191.99) )</small>
]]></content:encoded>
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		<slash:comments>1</slash:comments>
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		<itunes:duration>00:01:01</itunes:duration>
		<itunes:subtitle>Agents are the bridge between writers and publishers, and are among the most influential people in the publishing industry. The role of the agent can ...</itunes:subtitle>
		<itunes:summary>Agents are the bridge between writers and publishers, and are among the most influential people in the publishing industry. The role of the agent can include much more than simply selling a book, and agents are increasingly responsible for finding and nurturing talented new writers. Choosing the right agent can affect every step of a writer’s career, and understanding how the agent / author relationship works is essential to making that choice.



Subscribe to our podcast feed

Subscribe on iTunes

John Berlyne is a partner at the Zeno Literary Agency with John Richard Parker. Zeno represents both fiction and non-fiction, with particular expertise in handling genre, their list leans towards science fiction and fantasy, boasting best-sellers, household names and prize winners.

Oliver Munson joined Blake Friedmann in 2003, after completing an English Literature degree from the University of EdinburghandanMAinPublishing Studies from City University. He has a particular interest in popular non-fiction, commercial fiction and sports writing.

James Wills is a Director at Watson, Little Ltd and looks after a dynamic and wide-ranging list of writers. He has an MA in 20th Century Literature from the University of Leeds. He looks for striking, quirky, character-driven commercial and literary fiction that is thrilling, bold and beautifully written.

Bernie Corbett is a British trade unionist and former journalist. In his role as General Secretary of the Writers’ Guild of Great Britain he covers TV, film, radio, new media and print publishing. In his newspaper career Bernie Corbett was chief sub-editor of The Guardian (London) and chief features sub-editor of The Independent (London).
</itunes:summary>
		<itunes:keywords>News and Features, Podcasts</itunes:keywords>
		<itunes:author>The Literature Network</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>WIC 2010 Podcast &#8211; Poetry and Community</title>
		<link>http://literaturenetwork.org/2010/06/wic-2010-podcast-poetry-and-community/</link>
		<comments>http://literaturenetwork.org/2010/06/wic-2010-podcast-poetry-and-community/#comments</comments>
		<pubDate>Wed, 23 Jun 2010 12:34:57 +0000</pubDate>
		<dc:creator>Damien G. Walter</dc:creator>
				<category><![CDATA[News and Features]]></category>
		<category><![CDATA[Podcasts]]></category>

		<guid isPermaLink="false">http://literaturenetwork.org/?p=3603</guid>
		<description><![CDATA[
Poetry is often portrayed as an elitist or ‘high brow’ art, but the experience of poetry today is often anything but. Grass roots poetry groups make writing that is deeply connected to its local community. In education, social support and other settings poets play an invaluable role working with the hardest to reach and most [...]]]></description>
			<content:encoded><![CDATA[
<p>Poetry is often portrayed as an elitist or ‘high brow’ art, but the experience of poetry today is often anything but. Grass roots poetry groups make writing that is deeply connected to its local community. In education, social support and other settings poets play an invaluable role working with the hardest to reach and most excluded groups in our communities. How does poetry support community, and how does the community support poets?</p>
<p></p>
<p><a href="http://literaturenetwork.org/?feed=podcast">Subscribe to our podcast feed</a></p>
<p><a href="http://itunes.apple.com/podcast/the-writing-industries-conference/id363526921">Subscribe on iTunes</a></p>
<p>Alison Dunne is a poet, short storyist &#038; noveller. She teaches writing in prisons &#038; universities &#038; all things between. She is currently Leicester Libraries Bookdoctor. She is interested in the way words can be used to make people better and advocates bibliotherapy &#038; creative writing in communities.</p>
<p>Cathy Grindrod, former Derbyshire Poet Laureate, has published five poetry collections, most recently The Sky, Head On. She also writes for theatre, and in 2008, wrote the libretto to More Glass Than Wall, a full-length oratorio with composer James Redwood. She compiles contemporarywriters.org for the British Council.</p>
<p>Paul Munden is Director of the National Association of Writers in Education. As a poet, he is an Eric Gregory Award winner whose work appears in many anthologies. He has worked in schools, universities and as ‘conference poet’ covering a variety of subjects for the British Council.</p>
<p>River Wolton is a freelance writer &#038; facilitator, specialising in tailor-made projects for schools, museums, libraries and community groups including older people in residential care, refugees, and people with learning difficulties. She was Derbyshire Poet Laureate 2007-9. Her publications include The Purpose of Your Visit, Some Girls’ Mothers and You Are Here.</p>
THIS CONTENT ORIGINALLY PUBLISHED ON THE LITERATURE NETWORK. http://literaturenetwork.org (Digital Fingerprint:<br /> 663geteyhevfw5673gferw56e3feg (38.107.191.99) )</small>
]]></content:encoded>
			<wfw:commentRss>http://literaturenetwork.org/2010/06/wic-2010-podcast-poetry-and-community/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
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		<itunes:duration>00:01:01</itunes:duration>
		<itunes:subtitle>Poetry is often portrayed as an elitist or ‘high brow’ art, but the experience of poetry today is often anything but. Grass roots poetry groups ...</itunes:subtitle>
		<itunes:summary>Poetry is often portrayed as an elitist or ‘high brow’ art, but the experience of poetry today is often anything but. Grass roots poetry groups make writing that is deeply connected to its local community. In education, social support and other settings poets play an invaluable role working with the hardest to reach and most excluded groups in our communities. How does poetry support community, and how does the community support poets?



Subscribe to our podcast feed

Subscribe on iTunes

Alison Dunne is a poet, short storyist &#38; noveller. She teaches writing in prisons &#38; universities &#38; all things between. She is currently Leicester Libraries Bookdoctor. She is interested in the way words can be used to make people better and advocates bibliotherapy &#38; creative writing in communities.

Cathy Grindrod, former Derbyshire Poet Laureate, has published five poetry collections, most recently The Sky, Head On. She also writes for theatre, and in 2008, wrote the libretto to More Glass Than Wall, a full-length oratorio with composer James Redwood. She compiles contemporarywriters.org for the British Council.

Paul Munden is Director of the National Association of Writers in Education. As a poet, he is an Eric Gregory Award winner whose work appears in many anthologies. He has worked in schools, universities and as ‘conference poet’ covering a variety of subjects for the British Council.

River Wolton is a freelance writer &#38; facilitator, specialising in tailor-made projects for schools, museums, libraries and community groups including older people in residential care, refugees, and people with learning difficulties. She was Derbyshire Poet Laureate 2007-9. Her publications include The Purpose of Your Visit, Some Girls’ Mothers and You Are Here.
</itunes:summary>
		<itunes:keywords>News and Features, Podcasts</itunes:keywords>
		<itunes:author>The Literature Network</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>WIC 2010 Podcast &#8211; How does public funding support writers?</title>
		<link>http://literaturenetwork.org/2010/06/how-does-public-funding-support-writers/</link>
		<comments>http://literaturenetwork.org/2010/06/how-does-public-funding-support-writers/#comments</comments>
		<pubDate>Mon, 14 Jun 2010 14:01:32 +0000</pubDate>
		<dc:creator>Damien G. Walter</dc:creator>
				<category><![CDATA[News and Features]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Farhana Shaikh]]></category>
		<category><![CDATA[Jonathan Davidson]]></category>

		<guid isPermaLink="false">http://literaturenetwork.org/?p=3585</guid>
		<description><![CDATA[
Many great writers from William Shakespeare to JK Rowling might never have been heard without the support of patrons both public and private. Today a web of government funding and lottery money subsidise the writing industries. As Arts Council England launches a national consultation into arts funding, including a new strategy for literature, we gather [...]]]></description>
			<content:encoded><![CDATA[
<p>Many great writers from William Shakespeare to JK Rowling might never have been heard without the support of patrons both public and private. Today a web of government funding and lottery money subsidise the writing industries. As Arts Council England launches a national consultation into arts funding, including a new strategy for literature, we gather together leading figures from the sector to debate the future of public funding for writers.</p>
<p><a href="http://literaturenetwork.org/?feed=podcast">Subscribe to our podcast feed</a></p>
<p><a href="http://itunes.apple.com/podcast/the-writing-industries-conference/id363526921">Subscribe on iTunes</a></p>
<p>Farhana Shaikh is the founding editor of The Asian Writer, an online magazine which supports and encourages writing from the British Asian community. She is currently working on a project which explores family life in Leicester through stories. She is working on her first novel, set in twentieth century India.</p>
<p>Jonathan Davidson is Chief Executive of Writing West Midlands. He has worked for over twenty five years in arts management and literature development, including working as a literature officer for local authorities and organising book festivals. He is also a writer and poet and his radio plays are regularly broadcast on BBC Radio.</p>
THIS CONTENT ORIGINALLY PUBLISHED ON THE LITERATURE NETWORK. http://literaturenetwork.org (Digital Fingerprint:<br /> 663geteyhevfw5673gferw56e3feg (38.107.191.99) )</small>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<itunes:duration>00:01:01</itunes:duration>
		<itunes:subtitle>Many great writers from William Shakespeare to JK Rowling might never have been heard without the support of patrons both public and private. Today a ...</itunes:subtitle>
		<itunes:summary>Many great writers from William Shakespeare to JK Rowling might never have been heard without the support of patrons both public and private. Today a web of government funding and lottery money subsidise the writing industries. As Arts Council England launches a national consultation into arts funding, including a new strategy for literature, we gather together leading figures from the sector to debate the future of public funding for writers.

Subscribe to our podcast feed

Subscribe on iTunes

Farhana Shaikh is the founding editor of The Asian Writer, an online magazine which supports and encourages writing from the British Asian community. She is currently working on a project which explores family life in Leicester through stories. She is working on her first novel, set in twentieth century India.

Jonathan Davidson is Chief Executive of Writing West Midlands. He has worked for over twenty five years in arts management and literature development, including working as a literature officer for local authorities and organising book festivals. He is also a writer and poet and his radio plays are regularly broadcast on BBC Radio.
</itunes:summary>
		<itunes:keywords>News and Features, Podcasts</itunes:keywords>
		<itunes:author>The Literature Network</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>WIC 2010 Podcast &#8211; Romance Writing</title>
		<link>http://literaturenetwork.org/2010/05/traditional-romance-versus-paranormal-romance/</link>
		<comments>http://literaturenetwork.org/2010/05/traditional-romance-versus-paranormal-romance/#comments</comments>
		<pubDate>Tue, 18 May 2010 12:10:19 +0000</pubDate>
		<dc:creator>Damien G. Walter</dc:creator>
				<category><![CDATA[News and Features]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[WIC 2010]]></category>

		<guid isPermaLink="false">http://literaturenetwork.org/?p=3558</guid>
		<description><![CDATA[
Romantic fiction is read by millions of people around the world. The publisher Mills &#38; Boon famously asks that all its writers adhere to clear guidelines to make sure readers get the romantic experience they long for. But alternative styles of romance writing have bloomed in recent years, not least Paranormal Romance where vampires &#38; [...]]]></description>
			<content:encoded><![CDATA[
<p>Romantic fiction is read by millions of people around the world. The publisher Mills &amp; Boon famously asks that all its writers adhere to clear guidelines to make sure readers get the romantic experience they long for. But alternative styles of romance writing have bloomed in recent years, not least Paranormal Romance where vampires &amp; werewolves become a part of the bodice-ripping action. Where next for the romance genre and the writers who create it?</p>
<p></p>
<p><a href="http://literaturenetwork.org/?feed=podcast">Subscribe to our podcast feed</a></p>
<p><a href="http://itunes.apple.com/podcast/the-writing-industries-conference/id363526921">Subscribe on iTunes</a></p>
<p>Lynne Connolly has been writing paranormal romance for the past five years. She also writes historical romance. Her books are published by Ellora’s Cave, Samhain Publishing and Loose- Id, the three biggest ebook specialist companies in the USA.</p>
<p>Mary Nichols wrote short stories and articles for magazines before she turned to writing novels. Ten were published before she moved on to writing historical romance for Mills &amp; Boon. She has been writing for them ever since. Her latest, The Fountain, is to be published by Alison and Busby in April 2010.</p>
<p>Sue Moorcroft is a working writer. Starting Over, her third novel, is out now and All That Mullarkey will be published in June. She also writes short stories, serials and articles for magazines. Love Writing – How to Make Money Writing Romantic or Erotic Fiction, her first ‘how to’ book, was published in January.</p>
THIS CONTENT ORIGINALLY PUBLISHED ON THE LITERATURE NETWORK. http://literaturenetwork.org (Digital Fingerprint:<br /> 663geteyhevfw5673gferw56e3feg (38.107.191.99) )</small>
]]></content:encoded>
			<wfw:commentRss>http://literaturenetwork.org/2010/05/traditional-romance-versus-paranormal-romance/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
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		<itunes:duration>00:01:01</itunes:duration>
		<itunes:subtitle>Romantic fiction is read by millions of people around the world. The publisher Mills &#38; Boon famously asks that all its writers adhere to clear ...</itunes:subtitle>
		<itunes:summary>Romantic fiction is read by millions of people around the world. The publisher Mills &#38; Boon famously asks that all its writers adhere to clear guidelines to make sure readers get the romantic experience they long for. But alternative styles of romance writing have bloomed in recent years, not least Paranormal Romance where vampires &#38; werewolves become a part of the bodice-ripping action. Where next for the romance genre and the writers who create it?



Subscribe to our podcast feed

Subscribe on iTunes

Lynne Connolly has been writing paranormal romance for the past five years. She also writes historical romance. Her books are published by Ellora’s Cave, Samhain Publishing and Loose- Id, the three biggest ebook specialist companies in the USA.

Mary Nichols wrote short stories and articles for magazines before she turned to writing novels. Ten were published before she moved on to writing historical romance for Mills &#38; Boon. She has been writing for them ever since. Her latest, The Fountain, is to be published by Alison and Busby in April 2010.

Sue Moorcroft is a working writer. Starting Over, her third novel, is out now and All That Mullarkey will be published in June. She also writes short stories, serials and articles for magazines. Love Writing – How to Make Money Writing Romantic or Erotic Fiction, her first ‘how to’ book, was published in January.
</itunes:summary>
		<itunes:keywords>News and Features, Podcasts</itunes:keywords>
		<itunes:author>The Literature Network</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>The Carrot Nappers</title>
		<link>http://literaturenetwork.org/2010/05/the-carrot-nappers/</link>
		<comments>http://literaturenetwork.org/2010/05/the-carrot-nappers/#comments</comments>
		<pubDate>Thu, 06 May 2010 13:30:02 +0000</pubDate>
		<dc:creator>Damien G. Walter</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[News and Features]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Genevieve]]></category>
		<category><![CDATA[Keith Large]]></category>
		<category><![CDATA[The Carrot Nappers]]></category>

		<guid isPermaLink="false">http://literaturenetwork.org/?p=3520</guid>
		<description><![CDATA[
To mark local playwright Keith Large&#8217;s success in taking three of his plays to Edinburgh, the Literature Network is happy to present a specially recorded podcast production of The Carrot Nappers, a comedy farce that shows of Keith&#8217;s trademark style.
The Carrot Nappers follows the adventures of out of work bouncer Vinnie Hollis as he attempts [...]]]></description>
			<content:encoded><![CDATA[
<p>To mark local playwright Keith Large&#8217;s success in taking three of his plays to Edinburgh, the Literature Network is happy to present a specially recorded podcast production of The Carrot Nappers, a comedy farce that shows of Keith&#8217;s trademark style.</p>
<p>The Carrot Nappers follows the adventures of out of work bouncer Vinnie Hollis as he attempts to recover his prize carrot from the oddball Onionhead. If you have ever wanted to take a journey inside the Love Shed, now is your chance!  </p>
<p>The Carrot Nappers &#8211; a play by Keith Large</p>
<p></p>
<p>The Carrot Nappers was written by Keith Large and directed by Francessca Brown.</p>
<p>With</p>
<p>Garry Mooney as Vinnie Hollis<br />
Steve Kantor as Onion Head<br />
Tim Waterfield as Albert Jackson</p>
<p>And</p>
<p>Genevieve Cleghorn as Lisa</p>
<p>Recorded and podcast by the Literature Network</p>
THIS CONTENT ORIGINALLY PUBLISHED ON THE LITERATURE NETWORK. http://literaturenetwork.org (Digital Fingerprint:<br /> 663geteyhevfw5673gferw56e3feg (38.107.191.99) )</small>
]]></content:encoded>
			<wfw:commentRss>http://literaturenetwork.org/2010/05/the-carrot-nappers/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
			<enclosure url="http://literaturenetwork.org/podpress_trac/feed/3520/0/Carrott-Nappers.mp3" length="16821103" type="audio/mpeg" />
		<itunes:duration>35:02</itunes:duration>
		<itunes:subtitle>A Literature Network podcast production of The Carrot Nappers by Keith Large</itunes:subtitle>
		<itunes:summary>To mark local playwright Keith Large's success in taking three of his plays to Edinburgh, the Literature Network is happy to present a specially recorded podcast production of The Carrot Nappers, a comedy farce that shows of Keith's trademark style.

The Carrot Nappers follows the adventures of out of work bouncer Vinnie Hollis as he attempts to recover his prize carrot from the oddball Onionhead. If you have ever wanted to take a journey inside the Love Shed, now is your chance!  

The Carrot Nappers - a play by Keith Large



The Carrot Nappers was written by Keith Large and directed by Francessca Brown.

With

Garry Mooney as Vinnie Hollis
Steve Kantor as Onion Head
Tim Waterfield as Albert Jackson

And

Genevieve Cleghorn as Lisa

Recorded and podcast by the Literature Network
</itunes:summary>
		<itunes:keywords>Featured, News and Features, Podcasts</itunes:keywords>
		<itunes:author>The Literature Network</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>WIC 2010 Podcast &#8211; Community Journalism</title>
		<link>http://literaturenetwork.org/2010/04/wic-2010-podcast-community-journalism/</link>
		<comments>http://literaturenetwork.org/2010/04/wic-2010-podcast-community-journalism/#comments</comments>
		<pubDate>Fri, 30 Apr 2010 15:38:49 +0000</pubDate>
		<dc:creator>Damien G. Walter</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[News and Features]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Al Needham]]></category>
		<category><![CDATA[James K Walker]]></category>
		<category><![CDATA[John Coster]]></category>
		<category><![CDATA[Susi O'Neil]]></category>
		<category><![CDATA[WIC 2010]]></category>

		<guid isPermaLink="false">http://literaturenetwork.org/?p=3462</guid>
		<description><![CDATA[
Publishers of newspapers and other print media have been the gatekeepers of what we read for centuries. But in less than a decade the internet, has thrown the gates open to everyone. Millions of blog posts are published every day to niche readerships seeking specific coverage of anything from local politics to geek culture. How [...]]]></description>
			<content:encoded><![CDATA[
<p>Publishers of newspapers and other print media have been the gatekeepers of what we read for centuries. But in less than a decade the internet, has thrown the gates open to everyone. Millions of blog posts are published every day to niche readerships seeking specific coverage of anything from local politics to geek culture. How are writers using these opportunities to find new readerships, and affect change of all kinds?</p>
<p></p>
<p><a href="http://literaturenetwork.org/?feed=podcast">Subscribe to our podcast feed</a></p>
<p><a href="http://itunes.apple.com/podcast/the-writing-industries-conference/id363526921">Subscribe on iTunes</a></p>
<p>Al Needham is one of the UK’s foremost male sex writers, having written about sex and relationships for Cosmopolitan, Scarlet and Marie Claire. Al is also a founder member of todgertalk. com. He is an editor of LeftLion, Nottingham’s award-winning free alternative magazine.</p>
<p>James Walker is an award- winning writer who has written for a wide variety of publications. He has just finished his debut novel ‘This Is All I Know’, the story of a father who teaches himself origami to get closer to his son. He is the Literature Editor at LeftLion magazine and a member of the Nottingham Writers’ Studio.</p>
<p>John Coster is the editor of the Citizen’s Eye Community News Agency, which leads the Community Media Hub covering a wide range of subjects and run entirely by volunteers including John. Through You Tube, Flickr, Facebook and Twitter they engage a wide audience. He edits the Soar Community magazine and is lead project worker on the Leicester Wave young people’s newspaper.</p>
<p>Susi O’Neill is a digital strategy consultant within the music and media industries. Her consultancy, Digital Consultant, delivers training, research and consultancy for online business and e-marketing. She is the founder of CreativeNottingham.com</p>
THIS CONTENT ORIGINALLY PUBLISHED ON THE LITERATURE NETWORK. http://literaturenetwork.org (Digital Fingerprint:<br /> 663geteyhevfw5673gferw56e3feg (38.107.191.99) )</small>
]]></content:encoded>
			<wfw:commentRss>http://literaturenetwork.org/2010/04/wic-2010-podcast-community-journalism/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
			<enclosure url="http://literaturenetwork.org/podpress_trac/feed/3462/0/Community-Journalism-and-Blogging.m4a" length="11909912" type="audio/x-m4a" />
		<itunes:duration>00:01:01</itunes:duration>
		<itunes:subtitle>Publishers of newspapers and other print media have been the gatekeepers of what we read for centuries. But in less than a decade the internet, ...</itunes:subtitle>
		<itunes:summary>Publishers of newspapers and other print media have been the gatekeepers of what we read for centuries. But in less than a decade the internet, has thrown the gates open to everyone. Millions of blog posts are published every day to niche readerships seeking specific coverage of anything from local politics to geek culture. How are writers using these opportunities to find new readerships, and affect change of all kinds?



Subscribe to our podcast feed

Subscribe on iTunes

Al Needham is one of the UK’s foremost male sex writers, having written about sex and relationships for Cosmopolitan, Scarlet and Marie Claire. Al is also a founder member of todgertalk. com. He is an editor of LeftLion, Nottingham’s award-winning free alternative magazine.

James Walker is an award- winning writer who has written for a wide variety of publications. He has just finished his debut novel ‘This Is All I Know’, the story of a father who teaches himself origami to get closer to his son. He is the Literature Editor at LeftLion magazine and a member of the Nottingham Writers’ Studio.

John Coster is the editor of the Citizen’s Eye Community News Agency, which leads the Community Media Hub covering a wide range of subjects and run entirely by volunteers including John. Through You Tube, Flickr, Facebook and Twitter they engage a wide audience. He edits the Soar Community magazine and is lead project worker on the Leicester Wave young people’s newspaper.

Susi O’Neill is a digital strategy consultant within the music and media industries. Her consultancy, Digital Consultant, delivers training, research and consultancy for online business and e-marketing. She is the founder of CreativeNottingham.com
</itunes:summary>
		<itunes:keywords>Featured, News and Features, Podcasts</itunes:keywords>
		<itunes:author>The Literature Network</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>WIC 2010 Podcast &#8211; Writing in the Digital Era</title>
		<link>http://literaturenetwork.org/2010/04/wic-2010-podcast-writing-in-the-digital-era/</link>
		<comments>http://literaturenetwork.org/2010/04/wic-2010-podcast-writing-in-the-digital-era/#comments</comments>
		<pubDate>Mon, 19 Apr 2010 14:02:02 +0000</pubDate>
		<dc:creator>Damien G. Walter</dc:creator>
				<category><![CDATA[News and Features]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Alex Pryce]]></category>
		<category><![CDATA[Graham Joyce]]></category>
		<category><![CDATA[Richard Birkin]]></category>
		<category><![CDATA[Steve Ince]]></category>
		<category><![CDATA[WIC 2010]]></category>

		<guid isPermaLink="false">http://literaturenetwork.org/?p=3453</guid>
		<description><![CDATA[
New technologies are changing how stories are told and how we encounter them. The internet and computers provide ways to make interactive and immersive stories that are still being explored. Video games are experimenting with ever more sophisticated narratives and are now bigger business than Hollywood. Writing for interactive media is a growing field for [...]]]></description>
			<content:encoded><![CDATA[
<p>New technologies are changing how stories are told and how we encounter them. The internet and computers provide ways to make interactive and immersive stories that are still being explored. Video games are experimenting with ever more sophisticated narratives and are now bigger business than Hollywood. Writing for interactive media is a growing field for writers, who are finding new ways to tell compelling stories that fight back!</p>
<p></p>
<p><a href="http://literaturenetwork.org/?feed=podcast">Subscribe to our podcast feed</a></p>
<p><a href="http://itunes.apple.com/podcast/the-writing-industries-conference/id363526921">Subscribe on iTunes</a></p>
<p>Graham Joyce is the author of seventeen novels, which have won five British Fantasy Awards, the World Fantasy Award and the prestigious O Henry prize. He has also diversified into new media with the announcement last year that he will be writing for Doom 4.</p>
<p>Richard Birkin likes to make things. In the daytime he makes things for Mudlark and Pixel-Lab, and in the evenings he makes things for his imprint Time Travel Opps. He’s been exploring online publishing for this entire century, and would like it if England were more like Iceland.</p>
<p>Steve Ince is an award- nominated Writer-Designer with 17 years of game development experience. He has played an important part in the success of a number of critically acclaimed games, including Beneath a Steel Sky, Broken Sword and In Cold Blood. He was nominated for Excellence in Writing at the Game Developers Choice Awards 2004, following on from three BAFTA nominations for Broken Sword.</p>
<p>Alex Pryce is Director of PoetCasting, the UK’s foremost poetry podcasting enterprise. Her poetry has been published in various magazines and websites, including Mslexia, Staple and Snakeskin. Alex is also a full time postgraduate student in modern and contemporary literature at the University of Leicester.</p>
THIS CONTENT ORIGINALLY PUBLISHED ON THE LITERATURE NETWORK. http://literaturenetwork.org (Digital Fingerprint:<br /> 663geteyhevfw5673gferw56e3feg (38.107.191.99) )</small>
]]></content:encoded>
			<wfw:commentRss>http://literaturenetwork.org/2010/04/wic-2010-podcast-writing-in-the-digital-era/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
			<enclosure url="http://literaturenetwork.org/podpress_trac/feed/3453/0/Writing-in-the-Digital-Era.m4a" length="12569453" type="audio/x-m4a" />
		<itunes:duration>00:01:01</itunes:duration>
		<itunes:subtitle>New technologies are changing how stories are told and how we encounter them. The internet and computers provide ways to make interactive and immersive stories ...</itunes:subtitle>
		<itunes:summary>New technologies are changing how stories are told and how we encounter them. The internet and computers provide ways to make interactive and immersive stories that are still being explored. Video games are experimenting with ever more sophisticated narratives and are now bigger business than Hollywood. Writing for interactive media is a growing field for writers, who are finding new ways to tell compelling stories that fight back!



Subscribe to our podcast feed

Subscribe on iTunes

Graham Joyce is the author of seventeen novels, which have won five British Fantasy Awards, the World Fantasy Award and the prestigious O Henry prize. He has also diversified into new media with the announcement last year that he will be writing for Doom 4.

Richard Birkin likes to make things. In the daytime he makes things for Mudlark and Pixel-Lab, and in the evenings he makes things for his imprint Time Travel Opps. He’s been exploring online publishing for this entire century, and would like it if England were more like Iceland.

Steve Ince is an award- nominated Writer-Designer with 17 years of game development experience. He has played an important part in the success of a number of critically acclaimed games, including Beneath a Steel Sky, Broken Sword and In Cold Blood. He was nominated for Excellence in Writing at the Game Developers Choice Awards 2004, following on from three BAFTA nominations for Broken Sword.

Alex Pryce is Director of PoetCasting, the UK’s foremost poetry podcasting enterprise. Her poetry has been published in various magazines and websites, including Mslexia, Staple and Snakeskin. Alex is also a full time postgraduate student in modern and contemporary literature at the University of Leicester.
</itunes:summary>
		<itunes:keywords>News and Features, Podcasts</itunes:keywords>
		<itunes:author>The Literature Network</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>WIC 2010 Podcast &#8211; 1000 Working Poets?</title>
		<link>http://literaturenetwork.org/2010/04/wic-2010-podcast-1000-working-poets/</link>
		<comments>http://literaturenetwork.org/2010/04/wic-2010-podcast-1000-working-poets/#comments</comments>
		<pubDate>Thu, 08 Apr 2010 13:29:08 +0000</pubDate>
		<dc:creator>Damien G. Walter</dc:creator>
				<category><![CDATA[News and Features]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Lydia Towsey]]></category>
		<category><![CDATA[Mark Gwynne Jones]]></category>
		<category><![CDATA[Sarah Ellis]]></category>

		<guid isPermaLink="false">http://literaturenetwork.org/?p=3445</guid>
		<description><![CDATA[
Henry David Thoreau said that the poet ‘must sustain his body by his poetry’, but how many poets today can claim that achievement? With the growth of performance poetry and spoken word in the last decade the answer may be more than you think, with as many as 1000 working poets* making their primary living [...]]]></description>
			<content:encoded><![CDATA[
<p>Henry David Thoreau said that the poet ‘must sustain his body by his poetry’, but how many poets today can claim that achievement? With the growth of performance poetry and spoken word in the last decade the answer may be more than you think, with as many as 1000 working poets* making their primary living from performance. What is spoken word, how has it transformed the fortunes of working poets and how do new writers get noticed on the performance circuit?</p>
<p></p>
<p><a href="http://literaturenetwork.org/?feed=podcast">Subscribe to our podcast feed</a></p>
<p><a href="http://itunes.apple.com/podcast/the-writing-industries-conference/id363526921">Subscribe on iTunes</a></p>
<p>Lydia Towsey is a poet and performer. She has performed with John Hegley, Jean Binta Breeze and Keorapetse Kgositsile, the South African Poet Laureate. She comperes and coordinates, WORD! the longest running poetry night in the East Midlands and in 2009 was the Artistic Director of ‘The Lyric Lounge’</p>
<p>Mark Gwynne Jones is well known for mind altering poetry with a music-hall edge. He has performed alongside The Levellers, Alan Bates, Mark Radcliffe and John Peel favourites Half Man Half Biscuit. He has sold poetry to the CIA and written poetry with disenfranchised kids in some of the most deprived areas of Britain.</p>
<p>Sarah Ellis is the programme manager for Apples &amp; Snakes. She is currently exploring new and pioneering ways of touring work through live and online experiences and is executive producer for the national online critical framework, My Place Or Yours. She produced Apples &amp; Snakes’ national tour, Exposed in 2006.</p>
THIS CONTENT ORIGINALLY PUBLISHED ON THE LITERATURE NETWORK. http://literaturenetwork.org (Digital Fingerprint:<br /> 663geteyhevfw5673gferw56e3feg (38.107.191.99) )</small>
]]></content:encoded>
			<wfw:commentRss>http://literaturenetwork.org/2010/04/wic-2010-podcast-1000-working-poets/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
			<enclosure url="http://literaturenetwork.org/podpress_trac/feed/3445/0/Spoken-Word-1000-working-poets.m4a" length="13433673" type="audio/x-m4a" />
		<itunes:duration>00:01:01</itunes:duration>
		<itunes:subtitle>Henry David Thoreau said that the poet ‘must sustain his body by his poetry’, but how many poets today can claim that achievement? With the ...</itunes:subtitle>
		<itunes:summary>Henry David Thoreau said that the poet ‘must sustain his body by his poetry’, but how many poets today can claim that achievement? With the growth of performance poetry and spoken word in the last decade the answer may be more than you think, with as many as 1000 working poets* making their primary living from performance. What is spoken word, how has it transformed the fortunes of working poets and how do new writers get noticed on the performance circuit?



Subscribe to our podcast feed

Subscribe on iTunes

Lydia Towsey is a poet and performer. She has performed with John Hegley, Jean Binta Breeze and Keorapetse Kgositsile, the South African Poet Laureate. She comperes and coordinates, WORD! the longest running poetry night in the East Midlands and in 2009 was the Artistic Director of ‘The Lyric Lounge’

Mark Gwynne Jones is well known for mind altering poetry with a music-hall edge. He has performed alongside The Levellers, Alan Bates, Mark Radcliffe and John Peel favourites Half Man Half Biscuit. He has sold poetry to the CIA and written poetry with disenfranchised kids in some of the most deprived areas of Britain.

Sarah Ellis is the programme manager for Apples &#38; Snakes. She is currently exploring new and pioneering ways of touring work through live and online experiences and is executive producer for the national online critical framework, My Place Or Yours. She produced Apples &#38; Snakes’ national tour, Exposed in 2006.
</itunes:summary>
		<itunes:keywords>News and Features, Podcasts</itunes:keywords>
		<itunes:author>The Literature Network</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>WIC 2010 Podcast &#8211; How to sell your script and see it produced</title>
		<link>http://literaturenetwork.org/2010/03/wic-2010-how-to-sell-your-script-and-see-it-produced/</link>
		<comments>http://literaturenetwork.org/2010/03/wic-2010-how-to-sell-your-script-and-see-it-produced/#comments</comments>
		<pubDate>Mon, 22 Mar 2010 17:01:49 +0000</pubDate>
		<dc:creator>Damien G. Walter</dc:creator>
				<category><![CDATA[News and Features]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Amanda Whittington]]></category>
		<category><![CDATA[Bea Udeh]]></category>
		<category><![CDATA[Kate Chapman]]></category>
		<category><![CDATA[Peter Leslie Wild]]></category>
		<category><![CDATA[WIC 2010]]></category>
		<category><![CDATA[Writing Industries]]></category>

		<guid isPermaLink="false">http://literaturenetwork.org/?p=3333</guid>
		<description><![CDATA[
Scriptwriting for theatre, film and television is one of the most competitive but potentially rewarding outlets for a writer’s skills. Thousands of scripts are written every year, but selling a script and seeing it produced can take more work than the writing itself. How do writers go from a finished script to a finished production, [...]]]></description>
			<content:encoded><![CDATA[
<p>Scriptwriting for theatre, film and television is one of the most competitive but potentially rewarding outlets for a writer’s skills. Thousands of scripts are written every year, but selling a script and seeing it produced can take more work than the writing itself. How do writers go from a finished script to a finished production, and what are the opportunities for new writing?</p>
<p></p>
<p><a href="http://literaturenetwork.org/?feed=podcast">Subscribe to our podcast feed</a></p>
<p><a href="http://itunes.apple.com/podcast/the-writing-industries-conference/id363526921">Subscribe on iTunes</a></p>
<p>Amanda Whittington has been described as Britain&#8217;s &#8216;most consistently popular female dramatist&#8217; (The Guardian). Her plays include Be My Baby, Ladies Day and Bollywood Jane. Amanda writes regularly for BBC Radio 4 writing career as a journalist.</p>
<p>Bea Udeh is a theatre producer at	Nottingham	Playhouse, where she uses grass roots people and stories to embody the experiences that we all have daily. Her current productions include &#8216;Fakebook&#8217; and &#8216;The Gospel According to Roger Dank&#8217;.</p>
<p>Kate Chapman joined Theatre Writing Partnership as Artistic Director and Chief Executive in March 2009. From 2004 to 2008 she was a Producer for BBC Radio Drama. She was artistic director of Bradford&#8217;s Theatre in the Mill from 1995 &#8211; 1998 and programme director of SCRIPT from 2001 &#8211; 2004.</p>
<p>Peter Leslie Wild is Senior Producer for BBC Radio Drama. His work includes the recent Radio 4 Classic serial version of Robinson Crusoe (adapted by Andy Barrett), the sci-fi serial Project Raphael by Jenny Stephens (Radio 7) and five serials featuring Lindsey Davis’s Roman detective Falco adapted by Mary Cutler (Radio 4).</p>
THIS CONTENT ORIGINALLY PUBLISHED ON THE LITERATURE NETWORK. http://literaturenetwork.org (Digital Fingerprint:<br /> 663geteyhevfw5673gferw56e3feg (38.107.191.99) )</small>
]]></content:encoded>
			<wfw:commentRss>http://literaturenetwork.org/2010/03/wic-2010-how-to-sell-your-script-and-see-it-produced/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
			<enclosure url="http://literaturenetwork.org/podpress_trac/feed/3333/0/How-to-sell-your-script-and-see-it-produced.m4a" length="12926679" type="audio/x-m4a" />
		<itunes:duration>00:01:01</itunes:duration>
		<itunes:subtitle>Scriptwriting for theatre, film and television is one of the most competitive but potentially rewarding outlets for a writer’s skills. Thousands of scripts are written ...</itunes:subtitle>
		<itunes:summary>Scriptwriting for theatre, film and television is one of the most competitive but potentially rewarding outlets for a writer’s skills. Thousands of scripts are written every year, but selling a script and seeing it produced can take more work than the writing itself. How do writers go from a finished script to a finished production, and what are the opportunities for new writing?



Subscribe to our podcast feed

Subscribe on iTunes

Amanda Whittington has been described as Britain's 'most consistently popular female dramatist' (The Guardian). Her plays include Be My Baby, Ladies Day and Bollywood Jane. Amanda writes regularly for BBC Radio 4 writing career as a journalist.

Bea Udeh is a theatre producer at	Nottingham	Playhouse, where she uses grass roots people and stories to embody the experiences that we all have daily. Her current productions include 'Fakebook' and 'The Gospel According to Roger Dank'.

Kate Chapman joined Theatre Writing Partnership as Artistic Director and Chief Executive in March 2009. From 2004 to 2008 she was a Producer for BBC Radio Drama. She was artistic director of Bradford's Theatre in the Mill from 1995 - 1998 and programme director of SCRIPT from 2001 - 2004.

Peter Leslie Wild is Senior Producer for BBC Radio Drama. His work includes the recent Radio 4 Classic serial version of Robinson Crusoe (adapted by Andy Barrett), the sci-fi serial Project Raphael by Jenny Stephens (Radio 7) and five serials featuring Lindsey Davis’s Roman detective Falco adapted by Mary Cutler (Radio 4).
</itunes:summary>
		<itunes:keywords>News and Features, Podcasts</itunes:keywords>
		<itunes:author>The Literature Network</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
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